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Oil Painting from a Reference

We are looking forward to painting with you in our upcoming two-day oil painting workshop! We’ll explore how to see and mix color, how cameras differ from our eyes, and how to paint loosely from a photo reference.

Our focus will be on learning, not perfection — think of your paintings as experiments, not masterpieces. 

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We’ll start each day with demos and exercises to loosen up, then move into painting sessions where you’ll apply what you’ve learned. By the end, you’ll have a better understanding of how to mix, apply, and see color like a painter.

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All materials will be provided: canvas paper, limited palette oils, palette knife, brushes, solvent, rags.

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What to bring:

  • Your own lunch and plenty of water

  • An apron or clothes you don’t mind getting paint on

  • A roll of paper towels

  • A photo reference — ideally a printed image, but you can also use one on your iPhone or iPad

Workshop Schedule

Day 1

9:00 – 9:30 Welcome & Setup

Intro to materials, safety, and workshop philosophy: process over product, “disposable paintings,” experimentation.

9:30 – 10:15
The Camera vs. The Eye

We will compare a photo with viewing the same scene and discuss how camera flattens the image and distorts colors, and interpreting a scene vs. copying a photo.

10:15 – 11:30 Color Theory 

  • Basic hue/value/saturation overview

  • Warm vs. cool, complementary pairs

  • Value scales

  • Palette exercises

11:30 – 12:00 Mixing Practice

Mix to match swatches and color blocks from the reference photo

12:45 – 2:15 Small Studies – Applying Color

10-minute studies of one color shape (block-in approach)

2:15 – 3:00 Group Review & Discussion

Discussion of what worked: accuracy vs. expression, color temperature shifts, we're learning to see, not making art to keep

Day 2

9:00 – 10:00 Choosing & Simplifying a Reference

How to select a workable photo (clear light, simple composition), how to crop and simplify into big shapes.

10:00 – 10:30 Demo: From Block-In to First Layer

Instructor demo of full start-to-finish “sketch painting”

10:30 – 12:00 Student Sketches

Students complete 2 sketches focusing on color block-in, big brushes and speed

12:45 – 2:30 The "Good Enough" Painting

Students develop one painting from start to “good enough,” emphasizing not overworking it

2:30 – 3:00 Group Reflection

Group discussion and reflection

© 2025 by Max Kovalsky

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